Vly began as strangers sending 1's and 0's across the Atlantic Ocean. British-based guitarist Karl Demata had a vague idea and a few demos, when a friend put him in touch with New York singer / artist Keith Gladysz. Keith began working on the demos, adding a more melodic, dream-like and decidedly indie sensibility. "It was a new way to work", says Gladysz. "The music and collaborative art I've made always started with people I knew, and creating naturally came out of that understanding. That's not the case with Vly. We managed to make an album without ever meeting. There was no gauge or reference point except for the music. It was a total shot in the dark".
The sound of Vly shooting in the dark hits elements of progressive rock, classic rock, folk, early-Floydian psychedelia, intimate pop melodies, massive walls of epic guitar riffage, post-classical, post-rock and electronic music. And it's the diverse background of the members that lead to the breadth of their sound.
The progressive sentiment of Italian keyboardist Elisa Montaldo quickly attracted the ear of Demata. "The first time I heard Elisa play" says Karl "I knew we had to be in a band. Her innate melodic approach and instinctual understanding and knowledge of 'anything prog' is simply remarkable".
"Karl asked me to join the project at the very beginning" Elisa picks up: "My idea of prog is somehow more vintage, more typical 70's Italian style. After various experiments on arrangements and sounds, I went to Karl's studio to record most of the keyboards, where we found the right balance".
Connecting with strangers, and expanding circles of mutual friends became the pattern for Vly. Karl next recruited experienced bass player Chris Heilmann who worked together previously in Crippled Black Phoenix. Chris provided a solid backbone with a more classic rock attitude.
Demata doesn't hold back when talking about Sweden-based musician Mattias Olsson. "He is simply a genius. And he's never predictable as a drummer. Mattias also contributed some vintage keys and odd analog noises, which have a definitive effect on the bands sound. A common friend described him as a 'lateral thinker', and I can't think of a better way to describe him."
Vly makes good on the futuristic dreams of the late 1990's, when promises of international recording sessions via the Internet excited incredulous musicians. Now that it's a reality (thanks to Dropbox and Skype), the method may be less glamorously sci-fi than one had hoped; still, they get the job done.
"I always disliked the cliches about music as a universal language, and more recently about the Internet bringing people together", explains Keith. "I'm even more uncomfortable with those sentiments now, since Vly proved them true".
released September 18, 2015
Engineered and produced by Karl Demata, with additional production by Keith Gladysz and Mattias Olsen, and audiophile mastering by Bob Katz.
Keith Gladysz (Diet Kong, Typical Reptiles) - Vocals.
Karl Demata (ex-Crippled Black Phoenix, Karl Demata Band) - Guitars, synths, programming.
Elisa Montaldo (Il Tempio Delle Clessidre) - keyboards and synths.
Chris Heilmann (ex-Crippled Black Phoenix, Bernie Torme', Shark Island) – Bass.
Mattias Olsson (ex-Änglagård. White Willow, Necromonkey) - Drums & keyboard
Every time I think I’ve uncovered all the hidden gems I find another one, this is fine music. This band has two other more recent releases not available on Bandcamp, also amazing. Kind of a mix of genres with the post rock backbone I enjoy so much, very talented! Deej
Because it is the most exquisitely seventies prog rock influenced music I have yet heard - the mix of Yes/Genesis with some King Crimson thrown in is, at times, overwhelming. (And, as a sixty year old man, the reference to Trumpton/Camberwick Green is more than welcome!) vicar888
This album is a dramatic way to say, that a relationship is over, every title has i's own charme, but the title track is superb!
Christina's voice reminds me a little bit on Ilse DeLange (Dutch singer) prog-rocks
In the wake of buying the Welcome To The Planet I also went for this older "EP" (clocking in on 70 minutes a rather big big EP...) as a final farewell to a very bright bright star that sadly doesn't shine anymore. Carsten Pieper